18 - 28 April 2024
Cam Munroe, Sheree Willman, Pip Woods
17 Osborne Street, Newmarket
Cam Munroe
Kapiti based artist Cam Munroe has been honing her skills in acrylic and mixed media painting for over 3 decades.
Left: Canopy, Right: The Big Hug
Left: Cam Munroe in her studio, Right: With 'The Big Hug'
Left: Treasure Map, Right: Twists and Turns
Left: Stops and Starts, Right: Dizzy Heights
Lines and shapes meander, leading the eye through a maze of landscapes. Amidst the purity of white, a solitary shape bursts forth in luminous fluorescent colour, symbolising moments of vivid clarity in the artist's journey and evolution. Lettering within the works whisper signposts and land marks along the way.
Left: Greener Pastures, Right: Glimmer and Glare
In this series, which I collectively refer to as the Wanderings series, I am loving and embracing the unexpected in more open compositions. I'm finding meaning in chaos, and enjoying the journey that emerges from each canvas."
Above: Wanderings
Left: Map, Right: As Above
Sheree Willman
Sheree is of Māori (Ngati Kahungunu & Rangitāne) & half Pakeha descent. The muse behind Sheree's painted works is her culture, specifically the weavers of her tīpuna (ancestors) from tukutuku, tāniko, & kete whakairo patterns, helping her reconnect & discover more about te ao Māori & her personal identity.
Left: Kete Koru, Right: Pātikitikiketekoru
"This is my 8th year painting full time and tūpuna has a big influence with all my paintings. I’m inspired by the geometrical patterns of mahi toi, especially the patterns from kete whakairo (patterned bags) and tāniko designs. Tāniko is a uniquely Māori variation of whatu (twining) and is used to weave the colourful, intricate borders of cloaks, also tukutuku patterns, lattice work that adorn the walls of the wharenui.
Top: KaitakaTānikoWahanaKopito, Bottom: KaitakaNgoreTāniko
The tāniko paintings in this exhibition are inspired from kaitaka cloaks that are housed in museums overseas. The KaitakaTānikoWahanaKopito is housed at the Metropolitan Museum in New York and KaitakaNoreTāniko is housed in the British Museum. I felt the need to paint from these beautiful tāniko patterns and felt it was my way by honouring them by trying to recreate them and bringing them home in a different form.
Left: TānikoWaharua, Right: PutiputiKete
Some of kete whakairo patterns in the exhibition are inspired by some new kete patterns I haven’t painted from before."
Left: RauKumaraKeteKoru, Right: KōeaeaKeteKoru
Pip Woods
Vases for Dark Places
I love using this clay and glaze combination. It results in a surface that is smooth and creamy, and almost luminous, whilst maintaining the look of clay. The matte surface absorbs light which gives these simple orb forms a soft glow.
Each piece is hand built using a coiling method, and designed to be filled with flowers and foliage. Bringing the natural world in, bringing soft light to dark places."